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“silken-voiced bass-baritone Tristan Hambleton” – The Telegraph – Michael White
“The classiest voice of the bunch is Tristan Hambleton” – The Times – Neil Fisher
“Tristan Hambleton struck a formidable figure as Balthazar, filling his pronouncements with portent.” – Opera Magazine – Yehuda Shapiro
“Tristan Hambleton’s King of Scotland was commandeering and crisply voiced” – Opera Magazine
“Most striking of all is Tristan Hambleton’s trenchant Sarastro – a dominating presence despite the character’s clear moral ambiguity.” – The Stage – George Hall
“A tall, rich, handsome sound
Pondering a good description for the young bass-baritone singing Schubert’s Schwanengesang at the quaker meeting-house, Hampstead Garden Suburb on Sunday, Tristan Hambleton and I both agreed that tall, dark and handsome will do. And it does actually reflect the sound he makes.
Still a student on his last year at the Royal Academy opera course, Hambleton is one of the most striking voices of his generation. So he gets around. I heard him at a summer festival in France, supplying a distinctive presence in a Bach B Minor Mass…” – The Ham & High – Michael White
“…Schicchi, has a real gift for comedy, but his big baritone is still a bit foggy in the upper registers. Firm bass Tristan Hambleton has no such problem, even when saddled with playing Simone, the pompous, elderly former mayor.” – The Observer – Stephen Pritchard
“Tristan Hambleton, who throughout the evening encompassed Bach’s gymnastic demands with consummate aplomb.” – Birmingham Post – Christopher Morley
“Tristan Hambleton (Marullo) – added appropriate menace and malice.” – The Telegraph – Rupert Christiansen
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